Subtitles may not cross scene changes except in cases where a character/speaker starts speaking before the shot change but the dialogue features in a subsequent scene.Apply good judgement as many timing decisions may feel subjective.When dialogue does not fall within these shot change parameters, follow the time to audio guidelines as set out in section 1.When dialogue crosses the shot change and if reading speed permits, the out-time may be adjusted to either be two frames before the shot change or at least half a second after it.when the dialogue starts 9, 10 or 11 frames before the shot change in 24 fps content), or moved up to the first frame of the new shot.
To accommodate this, the in-time should either be brought forward to half a second before the shot change (e.g.When dialogue starts before a shot change, the in-time must be at least half a second before the shot change following the time to audio rules.Subtitles may cross shot changes when the dialogue they represent also crosses the shot change.These rules can be applied when the out-time has already been extended by half a second past the audio but apply good judgement when determining if a subtitle looks like it is hanging on-screen for too long and apply timing adjustments accordingly.If dialogue ends before a shot change and there is no subtitle after the shot change, you should still set the out-time to two frames before the shot change.That is to say, in-times and out-times may be brought forward or extended to be in sync with shot changes within the half-second parameter in order to create an even viewing experience and to allow the subtitles to fit neatly within the edit of the content.If an out-time is within half a second of the last frame before the shot change, extend the out-time to the shot change, respecting the two-frame gap from the shot change.Where dialogue starts on the shot change or within half a second past the shot change, please set the in-time to the first frame of the shot change.This is sometimes known as “chaining” or “closing gaps”. When timing a sequence of subtitles, create a run of subtitles with even gaps by bumping up the out-time of the previous subtitle to two frames before the in-time of the new subtitle where any gaps of fewer than half a second exist.The out-time can be extended up to half a second past the timecode at which the audio ends.Subtitles should have an in-time which is on the first frame of audio or as close to it as possible (within 1-2 frames of the first frame of audio is acceptable), using the waveform as reference, unless the scenario falls into the timing to shot change rules in section 2).These rules are applicable to all timed text files produced for NetflixĪvoid spoilers: always avoid revealing punchlines or major plot-points early where there is a visible reaction on screen.These guidelines are the overarching parameters which subtitlers should consider and work within when timing subtitles.Subtitles should sit neatly within shots creating an effortless viewing experience which is easy on the eye Subtitles should be in sync with both the image and the audio The minimum frame gap remains as 2 frames for all frame rates. If you are working on 30 fps content, follow this guide and change any rules which stipulate 12 frames/half a second to 15 frames/half a second and so on. For other frame rates, these rules still apply but please adapt the parameters as needed, i.e. These guidelines are written for content in 24 fps, where "half a second" is 12 frames.
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We want our members to feel like they are watching our content, not reading it.Īlways exercise good judgement when timing subtitles and ensure the file is watched back in full during the origination stage to ensure timings are even and any flashy sections are corrected. Netflix expects subtitles which are neatly timed, sit comfortably within the edit of the content and which provide an effortless viewing experience. Timing to shot and audio are key aspects of the subtitling process which contribute to the ease at which subtitles are consumed by members.
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